Tuesday, May 12, 2020

WWE Get Out Of Your Own Way


During these times of covid-19 quarantine, many people have taken the opportunity with all this extra time to learn new hobbies, complete projects they’ve been putting off, read more, or learn new things about themselves. At the same while major sports leagues around the world has shut down, professional wrestling has continued to truck along without fans. It’s safe to say WWE has not taken this opportunity to improve their presentation.



WWE was the first company to announce they would continue to produce shows during this pandemic. Due to the circumstances and working with a mostly skeleton crew on a honestly already thin roster, they have not completely failed. Wrestlemania 36 turned out to be quite enjoyable, particularly the cinematic match between AJ Styles and Undertaker. In that, WWE has discovered people like those types of matches even though Lucha Underground and Impact Wrestling has done those type of matches before with great fanfare. Managers seem to be making a comeback with Zelina Vega building a stable, and hints MVP is looking for talent to manage. Some superstars such as Otis have been given opportunities to shine, winning the money in the bank match.



One thing WWE is failing on, and they failed with before the pandemic hit..creating new stars. WWE has had issues creating stars on the level of Hogan, Austin, Rock, and Cena for quite some time. One of the biggest reasons attributed to that by fans is they don’t feel a connection to the talents, and most promos leave a lot to be desired. Which leads to my brief rant.



For the life of me I cannot figure out why WWE is not taking this time to get more guys on the mic. Even talents who are not active due to injuries or have chosen not to wrestle due to safety concerns should be given opportunities. That could be done by having them record mission statements “off the cuff” from home and included in the programs. WWE previously did this with their “Tout” videos and a couple years ago with selfie promos that included graphics. Those promos failed because they were over produced.



If the promos are shot with that grittiness aspect and not so produced, it may be more well received. This give performers more opportunities to improve their promo skills and allows them to come off more “real”. It also leaves them at the forefront of fans minds for when they do return. Prospects that have been recently used on Raw, Smackdown, and NXT should be given insert promos before their matches. Especially the talent they have plans for, this allows that talent to create an identity and promo skills.

If they can’t fit it into the shows, WWE has YouTube and the WWE network where they could play the promos instead. Or maybe have watch parties of matches with wrestlers who can show their personalities by commentating on the matches.

It’s easy to pick on WWE cause they are the biggest pro wrestling organization in the world. Now they are a multi billion dollar corporation and I’m just a fan who has been watching for twenty something years. I have been watching wrestling a long time and can tell many of the issues are from lack of talent connection. AEW and Impact Wrestling have had their downs during this time, but their ups have been better because of their more forward thinking. Using vignettes, skits, and remote promos from talent to help get them over. It’s working because it appeals to the current generation, and proves most of WWE problems are...they can’t get out of their own way.

Saturday, May 9, 2020

Andre Harrell And Uptowns Legacy




It's often said that we as a society dont give people their flowers while their here. Sadly, that is often true and the recent passing of Andre Harrell proves that. Andre Harrell started in the music industry as 1/2 of the rap duo Dr. Jekyll (Andre) and Mr. Hyde. The duo had moderate success as a group and had a small role in the 1985 hip hop classic "Krush Groove". Being an artist was Andre's introduction into the music business, but it was his role as a mogul that cemented his legacy.

After working with Def Jam Records for a few years, Andre took what he learned from Russell Simmons and started Uptown Records. Uptown Records helped usher the fresh new jack swing sound of the late 80's-early 90's. Right along with other new jack swing pioneers such as Teddy Riley, Jimmy Jam and Terry Lewis, and Babyface Uptown Records bought a new groove to airwaves.



Uptown Records introduced so many legends to the masses and produced songs that undeniable classics. The Uptown Records roster included Heavy D, Al B. Sure, Mary J. Blige, Jodeci, Christopher Williams, Guy, Groove B. Chill, Father MC, The Lost Boyz, Soul for Real, and Biggie Smalls for a brief moment. Behind the scenes among these great artists was a young A&R executive named Sean Combs. Who learned from Andre and went on to start his own record label Bad Boy Records and is now a legendary entertainment mogul.

Besides the music that Uptown graced us with. Andre and company also employed the Motown system of ensuring their artists were styled correctly, had stage presence and poise. Uptown was known for their great music and the fashion forward style of their artists.


Uptown was the label with style and grace. Like Berry Gordy and Motown, Andre and Uptown inspired the next generation of music moguls. Just like with Bad Boy Records, Uptown paved the way No Limit Records, So So Def Records, Cash Money, and several other Black owned music labels.

In late 2019 BET started pre-production on a Uptown Records mini-series, hopefully production will continue and a new generation will get to learn and understand the greatness of Andre Harrell and Uptown. Like MJ, Whitney, and Prince along with other legends, Andre Harrell was an icon in the music game and his loss is a blow for the culture. Out of this loss, his contributions will be revisited, loved all over again, and appreticated more than ever before. The legacy of Andre Harrell will live on forever