In late Febuary my wife and I found out she was pregnant with our first child. Mannn the rush of emotions that come shooting at you in that moment is honestly alot to take in.
From selfish thoughts like there goes my plans I had this year. To ok, what do we need to do to prepare for this? I started thinking about shit I needed to get together, to give my child the best life I can give em. Start saving for college, so hopefully they won't have to worry about student loans. Start saving for family vacations, so I can provide memories and experiences. All the geek stuff I can't wait to introduce and share (ninja turtles, pro wrestling, movies, and superheroes among others).
I thought about my own insecurities I need to work on (yes you can still have them in your thirties). So that I don't subconsciously pass them on to my child.
I've been reading as much as I could about pregnancy, particularly in the early months. How often do babies sleep in the womb? The growth process in the womb, things dad's can do to support their significant other. I went to the first doctors visit in early March nervous as hell and overwhelmed but excited...then covid hit.
Since then I haven't been able to go to the appointments. I missed hearing the baby's heartbeat and sonograms, thanks to the power of technology I've heard recordings of the heartbeat and could facetime during sonogram visits. However, it's not the same and I'm annoyed I'm missing the in person part of the process.
The months have passed and my wife belly grows. I rub her stomach every night and "talk" to my daughter. A few things have spring upon me,first is how the parental instinct to be a protector automatically kicks in. Although she is not here yet, my job is to make sure my wife is safe and doing good and in turn my daughter. The second is how you could love someone you haven't met yet so much. I can only imagine the feeling once she is born.
If you haven't realized by now I'm gonna be a "sucker" for my child....and I'm A-ok with that. October also can't come soon enough and I'm patiently but impatiently waiting for the due date to come.
During these times of covid-19
quarantine, many people have taken the opportunity with all this extra time to
learn new hobbies, complete projects they’ve been putting off, read more, or
learn new things about themselves. At the same while major sports leagues
around the world has shut down, professional wrestling has continued to truck
along without fans. It’s safe to say WWE has not taken this opportunity to
improve their presentation.
WWE was the first company to announce
they would continue to produce shows during this pandemic. Due to the
circumstances and working with a mostly skeleton crew on a honestly already
thin roster, they have not completely failed. Wrestlemania 36 turned out to be
quite enjoyable, particularly the cinematic match between AJ Styles and
Undertaker. In that, WWE has discovered people like those types of matches even
though Lucha Underground and Impact Wrestling has done those type of matches
before with great fanfare. Managers seem to be making a comeback with Zelina
Vega building a stable, and hints MVP is looking for talent to manage. Some
superstars such as Otis have been given opportunities to shine, winning the
money in the bank match.
One thing WWE is failing on, and they
failed with before the pandemic hit..creating new stars. WWE has had issues
creating stars on the level of Hogan, Austin, Rock, and Cena for quite some
time. One of the biggest reasons attributed to that by fans is they don’t feel
a connection to the talents, and most promos leave a lot to be desired. Which
leads to my brief rant.
For the life of me I cannot figure out
why WWE is not taking this time to get more guys on the mic. Even talents who
are not active due to injuries or have chosen not to wrestle due to safety
concerns should be given opportunities. That could be done by having them
record mission statements “off the cuff” from home and included in the
programs. WWE previously did this with their “Tout” videos and a couple years
ago with selfie promos that included graphics. Those promos failed because they
were over produced.
If the promos are shot with that
grittiness aspect and not so produced, it may be more well received. This give
performers more opportunities to improve their promo skills and allows them to
come off more “real”. It also leaves them at the forefront of fans minds for
when they do return. Prospects that have been recently used on Raw, Smackdown,
and NXT should be given insert promos before their matches. Especially the
talent they have plans for, this allows that talent to create an identity and
promo skills.
If they can’t fit it into the
shows, WWE has YouTube and the WWE network where they could play the promos
instead. Or maybe have watch parties of matches with wrestlers who can show
their personalities by commentating on the matches.
It’s easy to pick on WWE cause they
are the biggest pro wrestling organization in the world. Now they are a multi
billion dollar corporation and I’m just a fan who has been watching for twenty
something years. I have been watching wrestling a long time and can tell many
of the issues are from lack of talent connection. AEW and Impact Wrestling have
had their downs during this time, but their ups have been better because of
their more forward thinking. Using vignettes, skits, and remote promos from
talent to help get them over. It’s working because it appeals to the current
generation, and proves most of WWE problems are...they can’t get out of their own
way.
It's often said that we as a society dont give people their flowers while their here. Sadly, that is often true and the recent passing of Andre Harrell proves that. Andre Harrell started in the music industry as 1/2 of the rap duo Dr. Jekyll (Andre) and Mr. Hyde. The duo had moderate success as a group and had a small role in the 1985 hip hop classic "Krush Groove". Being an artist was Andre's introduction into the music business, but it was his role as a mogul that cemented his legacy.
After working with Def Jam Records for a few years, Andre took what he learned from Russell Simmons and started Uptown Records. Uptown Records helped usher the fresh new jack swing sound of the late 80's-early 90's. Right along with other new jack swing pioneers such as Teddy Riley, Jimmy Jam and Terry Lewis, and Babyface Uptown Records bought a new groove to airwaves.
Uptown Records introduced so many legends to the masses and produced songs that undeniable classics. The Uptown Records roster included Heavy D, Al B. Sure, Mary J. Blige, Jodeci, Christopher Williams, Guy, Groove B. Chill, Father MC, The Lost Boyz, Soul for Real, and Biggie Smalls for a brief moment. Behind the scenes among these great artists was a young A&R executive named Sean Combs. Who learned from Andre and went on to start his own record label Bad Boy Records and is now a legendary entertainment mogul.
Besides the music that Uptown graced us with. Andre and company also employed the Motown system of ensuring their artists were styled correctly, had stage presence and poise. Uptown was known for their great music and the fashion forward style of their artists.
Uptown was the label with style and grace. Like Berry Gordy and Motown, Andre and Uptown inspired the next generation of music moguls. Just like with Bad Boy Records, Uptown paved the way No Limit Records, So So Def Records, Cash Money, and several other Black owned music labels.
In late 2019 BET started pre-production on a Uptown Records mini-series, hopefully production will continue and a new generation will get to learn and understand the greatness of Andre Harrell and Uptown. Like MJ, Whitney, and Prince along with other legends, Andre Harrell was an icon in the music game and his loss is a blow for the culture. Out of this loss, his contributions will be revisited, loved all over again, and appreticated more than ever before. The legacy of Andre Harrell will live on forever
Bad Boys starring Martin Lawrence and Will Smith and directed by Michael Bay was released April 7th, 1995 and just celebrated it's 25th anniversary. Reading behind the scenes stories of the film, it comes across as a movie that wasn't suppose to be successful. Decades later people still love the film and yes the term "classic" gets thrown around alot, but I believe the film is a classic here's why. Bad Boys is one of those films I look back as that has stars in them before they were stars. In this case Martin and Will were stars, but they were not the mega stars they would later come to be. Will Smith was mostly known as the clean cut rapper Fresh Prince and star of the TV show Fresh Prince of Bel Air. Martin Lawrence was the star of his own self-title TV sitcom Martin and the first host of the HBO series Def Comedy Jam. He was also the hottest Black comic of the early to mid 90's. Joe Pantoliano who played Captain Howard was always that guy you saw in movies that played his role well, who years later people would come to hate as Cyper in The Matrix. Tea Leoni has had a solid career but nothing superstar worthy.
Bad Boys took the buddy-cop odd couple formula popularized in the 80's by 48 hours and Lethal Weapon, and turned things up bringing that formula to the 90's. Martin Lawrence is the high strung family man Marcus Burnett, while Will Smith is the laid back smooth ladies man Mike Lowrey. It doesn't take itself too serious and try to be something it is not. The funniest scenes in the movie to me, are the one's where Marcus and Mike knowing one another for years. Are able to bicker and reflect real annoyances they have with one another to distract those around them, long enough to get out of a jam. The chemistry is displayed at the very beginning of the film when they use that method to get out of an attempted carjacking. The two have viewers really believing they've known each other for years and know how to get on one anothers nerves.
The action scenes are typical Michael Bay action scenes, before he was given budgets to just create utter nonsense. My favorite action scene in the film, is the foot chase through the city of Miami which honestly is the scene that probably convinced producers that Will Smith could be a formdiable, marketable action star.
There in lies why Bad Boys is a classic. The story is an typical cop plot, but what it done for the careers of it's major players. It helped Martin Lawrence gain more roles and more clout in Hollywood, giving him the ability write, direct, produce and star in A Thin Line Between Love and Hate a year later. It made Michael Bay the new Hollywood IT boy for large explosive films such as Armageddon, The Rock, and The Transformers movies whether you love them or hate them. It led to roles for Will Smith such as Independence Day and Men In Black, which made him a box office draw off name alone. Eventually Will and Martin joined the $20 million a film club and Bad Boys is the catalyst that sparked those opportunites. Bad Boys also bought the buddy cop formula back that gave films like Rush Hour and The Other Guys a chance to succeed. A second film was released in 2003, and earlier this year the third film in the series Bad Boys For Life released with a box office take of $290 million in the U.S. box office. Along with mostly positive or netural reviews from film criticss Which proved after a 17 year hiatus, Bad Boys as a franchise is still well loved and the groundwork was laid way back in 1995. That my friends makes Bad Boys a classic.
In the late 80’s to early 90’s Teenage Mutant Ninja Turtles was a powerhouse franchise you could not ignore. Cartoons, toys, cereal, video games, concerts Ninja Turtles were everywhere and consumed by nearly every child on the planet. March 30, 1990 the first film starring the turtles, Teenage Mutant Ninja Turtles hit the big screen worldwide. I was 4 years old when the film released and still remember going to Reisterstown Road Plaza Movie Theater to see the film. I also vividly remember the excitement I couldn’t contain looking on a big screen watching four turtles, that I had all the toys of walking, talking, fighting, and dropping a curse word here and there and having fun doing it. At that age all I wanted to be was a ninja turtle mainly Mickey, eat some pizza and at times some greens so I could turn green, and kick some foot clan butt just like they did.
Once the films box office run ended, it grossed over $135 million stateside and $201 million worldwide, making it the most successful independent film at that time which shows how popular the turtles were. Through the years I've watched the movie faithfully on cable, VHS, DVD, and later Netflix still quoting the movie and reliving the memories of wanting to be a ninja. As an adult every chance I get I watch the movie, and watching it now I know exactly why I enjoy it so much.
The ninja turtles’ franchise has produced 6 films, the original trilogy in the 90’s, an animated film in 2007, and two films in the mid-2010s. Out of the original trilogy during the time when the turtles were at the height of their popularity, the first film still reigns as king. The second film (which I love just as much) is much more juvenile and light hearted, borrowing its tone from the popular cartoon. The third movie went even further into light hearted territory with its plot and even more juvenile jokes. It has its flaws but its also not a horrible film, but that’s another story for another day.
The first film borrows most of its tone from the original comic book with its dark and grim atmosphere. The lighting, the set pieces, everything that surrounds the film is dark. Not sure if that was to be intune with the turtles operating from the shadows or not. Even the trailer for the film has a dark vibe to it, which years later all comic book films wanted to use in its tone. That’s why I think the first film is still the best turtles film ever because it appeals to many different audiences. Kids love the turtles with their color coded headbands and wisecracking jokes, but the dark brooding vibe and sense of real danger and consequences appeals to older teenagers and adults as well.
Some of the redeeming qualities and positive aspects of the film include. The fight scenes are hard-hitting, realistic, and has ramifications . Villian Shredder is portrayed as a real intimidating badass who is a serious threat, he displays his martial arts prowess at the end of the film manhandling the turtles by himself despite being outnumbered. The technology of the Turtles suits with their intricate designs and similiar yet distinct features (which to this day is still a marvel). Despite all that the most important aspect of the movie, is that it is about family. When the turtles father sewer rat Master Splinter is abducted, they have to look amongst each other and realize they are all they have. The Foot Clan criminal organization led by Shredder recruits young teenagers and young adults looking for a place to belong. The Shredder proclaims the organization as “family”, with the Shredder being they’re “father”. Manipulating and molding the young minds into being what he wants them to be while feeding their desire to be accepted.
A young teenager in the film and friend of April O’Neil Danny is a part of the organization, and joins them looking for a family as he doesn’t feel close with his father. I wish that could have been explored a little bit more in the film, but it wasn’t super essential to the film so I get it. At the end of the film, some members of the gang learn what you consider “family” may not always be best for you, and the turtles reunite with Master Splinter they also gain new family members in April and vigilante Casey Jones. In the process they learn family is not always blood related.
Maybe as an adult I’ve read too much into the film and the themes of the story. I truly believe the theme of family is what makes me continue to love the film so much. Even if you just love watching the movie and don’t care for the themes, on the 30th anniversary pop in the DVD, pull up Netflix and sit back and enjoy a film that is a bonafide classic Teenage Mutant Ninja Turtles.
“I don’t give a damn if Marvin Gaye ‘Gonna be there, you Won’t!”-
Pops
That line sums up the basis of 1990’s House Party
which has become a classic in the 30 years since it’s release. Released March 9th, 1990 and starring tarring rap duo
Kid N’ Play, Martin Lawrence, Tisha Campbell, A.J. Johnson, and Robin Harris
the movie was a film the culture didn’t know it needed until it was released.
High schooler Kid gets into a scuffle with school bullies (Full Force members
B-Fine, Bowlegged Lou, and Paul George) during lunch That causes Kid’s dad
(Robin Harris), to ground him and keep him from the biggest party of the year
thrown by his best friend Play.
What ensues is a night of dodging bullies and the cops,
getting the girl, and having fun. In the early 90’s most Black films highlighted
inner-city youth and issues, and the aggression that a lot of Black youths
harbor. House Party on the other hand showcased an often under depicted
demographic middle-class Black youths who just want to get laid and have fun.
House Party carries so many attributes of the culture
that still resonate today. Kid N’ Play and all their friends care about how
they dress and look. They just want to rap and dance and look good doing it. Throw in sneaking out while you’re grounded, worried parents who
are also pissed. Dealing with overzealous cops, high school bullies that look
too damn old, and playing the game to get the girl. The soundtrack is a time
capsule of late 80’s hip hop and r&b, and the now legendary New Jack Swing
sound. Everyone knows and loves the classic dance off in the middle of the film between
Kid N’ Play and Tisha Campbell and A.J. Johnson.
We can’t forget the quotable
lines that make the movie enjoyable to watch time after time. “I smell Pussy”, “follow
the drip”, “What the hell is a Public Enema?”, “I would put my shoe so far up
your ass, you’ll be shitting sneaker for a month.” "I'll fight a girl", "I know you will, I seen your ass get beat by a couple." And so many other lines you
can still quote today, and those in the know will instantly get it.
House Party also is one of those movies that has a
lot of stars or actors with consistent work, that you did not realize. Martin
Lawrence is a comedy legend who starred in the classic sitcom Martin a
couple of years later, and inspired a generation of comedians. Stand up legends
Robin Harris and John Witherspoon displayed why their two of the funniest
comedians ever. Tisha Campbell has built a nice career displaying her comedy
chops between Martin and My Wife and Kids. A.J. Johnson has built a fitness empire for
herself. Everyones favorite scumbag Clifton Powell has an appearance. Funk
legend George Clinton steals his scene as a DJ at a party. Daryl Mitchell, Anthony
Johnson, Kelly Jo Minter, and Joe Torry all faces you may know more than the
name, all have small appearances in the film.
House Party is a movie that those under 18 who watch
it enjoy it because of some of the adult content, and looking forward to being in
those at times dangerous but relatively harmless situations. Adults on the
other hand can watch and relate to the carefree teenage days when you just
needed to get home before your parents realized you were gone.
House Party has left a legacy between two direct sequels starring Kid N’ Play, and a sequel starring music group immature that is related to the original strictly by title. There was also a sequel released in 2013 in which Kid N' Play make a cameo appearance. There are plans to reboot the original with Lebron James producing it, which goes to show how influential the film is years later.
It has made legends out of Kid N’ Play and let several Black youths know dance moves can get you the ladies. House Party is a simple film with a simple mission, enjoy life and have fun doing it which is why we still love it 30 years later.
Baltimore, a city that’s like the little engine that could. Nestled between New York City, Philadelphia, and Washington D.C. it often gets overlooked when mentioning the big cities of the east coast. When it is mentioned it’s often for negative reasons that shed a bad light on the city.
Baltimore however is a wonderful city, full of so much potential to be more. Baltimore is also a great destination for tourist, in my travels I’m amazed at how many people have Baltimore on their list of places to visit. Most folks mention the seafood we’re known for and want to check it out. Some have mentioned “I just want to see what Baltimore is like.” One thing that could possibly help Baltimore attract more tourist, is to have a legitamite Baltimore sign stationed at the Inner Harbor, or maybe moved throughout the city for photo ops.
The Toronto sign nestled in Toronto’s Nathan Phillips Square. The “I Amsterdam” sign which has been moved around the city. Dubai has an “I love Dubai” sign in one of their malls. I recently visited Houston, which has a “We Love Houston” sign nestled outside a local brewery in Downtown Houston. There are countless others signs like these nestled around the world.
In this social media age, these signs are great marketing tools. Locals show pride in their hometown, visitors use it for photo ops, sharing their travels and hopefully marveling at how nice the place their visiting is.
In the grand scheme of what Baltimore needs to be a better city, a large Baltimore sign for selfies is at the bottom of the totem pole. However, it could help boost morale among citizens who want to show hometown pride. It could also boost tourism, with visitors eager to visit city landmarks or tourist attractions to take a photo. In fact it could become it's own landmark in the city. When people either tourist or locals take a picture with that sign, essentially they are proclaiming that they love Baltimore. If the plan is to really turn Baltimore around for the better, this is one small step to that roadway.
